When I first stumbled upon the story of this Victorian terrace house in north London, what immediately struck me was the paradox it seemed to embody: a bustling family home that manages to feel serene and uncluttered. It’s a feat that feels almost impossible in a city like London, where space is a luxury and family life often means a constant battle against chaos. But here, in this Kensal Rise home, interior designer Evelina Mamedovaite has pulled off something remarkable. Personally, I think this project is a masterclass in how design can not only shape a space but also enhance the way we live.
One thing that immediately stands out is the way Evelina has prioritized calm over clutter. In a world where maximalism often dominates, her restraint is refreshing. The mocha-inspired palette, the sculptural Anjou chandelier, the raw jute rug—these aren’t just decorative choices; they’re deliberate moves to create a sense of tranquility. What many people don’t realize is that achieving this level of simplicity requires immense thought and discipline. It’s not about doing less; it’s about doing less wrong.
From my perspective, the real genius lies in how Evelina has future-proofed the space. She’s designed a home that can evolve with its inhabitants, which is no small feat when you’re working with a young family. The sheer linen skylight drapes in the kitchen extension, for example, aren’t just aesthetically pleasing—they’re practical, softening the space while providing shade. This raises a deeper question: how often do we prioritize the now in design without considering how our needs might change? Evelina’s approach feels both thoughtful and rare.
What makes this particularly fascinating is her ability to blend the architectural with the personal. The way she’s used flooring to delineate spaces—changing directions where rooms meet—is a detail that I find especially interesting. It’s not just about creating visual boundaries; it’s about guiding movement and defining purpose. This isn’t just design; it’s spatial storytelling.
But let’s talk about the daughter’s bedroom, because it’s a perfect example of how Evelina balances restraint with whimsy. The walls, ceiling, and shelves wrapped in Colefax & Fowler’s ‘Fernwood Leaf Green’ create a theatrical, almost magical space. What this really suggests is that even in a home designed for calm, there’s room for playfulness. It’s a reminder that design doesn’t have to be monolithic; it can—and should—reflect the personalities of those who live there.
If you take a step back and think about it, this house is a testament to the idea that a home should feel good to be in, not just to look at. Charlotte Lewis, the homeowner, sums it up perfectly when she says, ‘I just love coming home here.’ In a city as relentless as London, that’s no small achievement. Evelina hasn’t just designed a house; she’s crafted a sanctuary.
What this project really implies is that great design isn’t about trends or showmanship—it’s about understanding the people who inhabit the space. It’s about solving puzzles, like how to make a double reception room feel coherent or how to hide children’s toys without sacrificing style. In my opinion, that’s where the true artistry lies.
As I reflect on this home, I’m reminded of how rare it is to find a space that feels both timeless and alive. Evelina’s work isn’t just about creating beautiful rooms; it’s about creating a backdrop for life. And in a world where so much feels temporary, that’s something worth celebrating.
